extratostand-in
A extra already meets 51% of what the stand-in role asks for. The move turns on 8 required skills not yet in the profile.
This move: 49 of 100 · moderate
1 Share of the stand-in role’s weighted skill requirement already met by the extra profile. Required skills count in full, supplementary skills at 0.35. Directional: the figure for the reverse move differs. 2 Combines what is missing with how specialised it is, so a gap of general skills scores easier than the same number of narrow ones.
Table 2 · What you already bring
Of the 16 skills that carry over, these are the ones fewest other occupations ask for. A stand-in role needs them, and most people applying for one will not have them already. This is the part of a extra background worth leading with.
- already held express yourself physically communication, collaboration and creativity
- already held adapt to acting roles communication, collaboration and creativity
- already held harmonise body movements communication, collaboration and creativity
- already held practice dance moves communication, collaboration and creativity
- already held collaborate on costume and make-up for performances communication, collaboration and creativity
- already held practise singing communication, collaboration and creativity
All 16 carried skills, including the 6 the stand-in role treats as required.
Table 3 · What you would need to learn
The 11 missing skills fall into 4 areas of the ESCO skill hierarchy, numbered below in the order worth working in: the areas carrying the most required skills come first, and inside each one the required skills sit above the supplementary ones.
- required, not held adapt to type of media required
- required, not held follow time cues required
- required, not held study roles from scripts required
- required, not held work with an artistic team required
- required, not held attend rehearsals required
- required, not held interact with fellow actors required
- optional, not held self-promote optional
- optional, not held perform scripted dialogue optional
- required, not held study media sources required
- required, not held follow work schedule required
- optional, not held film production process optional
Table 4 · Where to start
The 3 entries a stand-in role is least likely to hire without. The ordering is computed from the skill data, not from what pays.
- 01 adapt to type of media skill · sector specific
- 02 follow time cues skill · sector specific
- 03 study media sources skill · sector specific
Each entry opens a course search for that skill. Career Overlap earns nothing from these links.
Appendix · The rest of the record
All 16 skills that carry over
- already held adapt to acting roles skill
- already held analyse a script skill
- already held follow directions of the artistic director skill
- already held work with the camera crew skill
- already held work with the director of photography skill
- already held work with the lighting crew skill
- already held acting techniques knowledge
- already held collaborate on costume and make-up for performances skill
- already held express yourself physically skill
- already held harmonise body movements skill
- already held lighting techniques knowledge
- already held perform dances skill
- already held photography knowledge
- already held practice dance moves skill
- already held practise singing skill
- already held sing skill
3 supplementary skills, helpful but not required
- optional, not held self-promote optional
- optional, not held film production process optional
- optional, not held perform scripted dialogue optional
8 held skills the stand-in role does not ask for
- not needed by the target role act discreetly skill
- not needed by the target role act reliably skill
- not needed by the target role exercise sports skill
- not needed by the target role perform scenes for filming skill
- not needed by the target role practice martial arts skill
- not needed by the target role rehearse role skill
- not needed by the target role ride horses skill
- not needed by the target role use firearms skill
1 gaps that are knowledge rather than practice
Knowledge gaps usually close through study. Practical skill gaps usually need something you can point at.
- optional, not held film production process optional
How this record was compiled
Both occupations are taken from ESCO, which lists the skills and knowledge each occupation is expected to have and marks every one required or optional. Nothing here is a prediction about hiring, and nothing here knows that a particular employer wants a particular certificate. Treat Table 3 as a starting point for your own research rather than a syllabus. The full method states what these figures can and cannot tell you.