Career Overlap Transition record Edition 1 · ESCO v1.2.1
Table 1Transition record

video and motion picture directortoassistant video and motion picture director

A video and motion picture director already meets 28% of what the assistant video and motion picture director role asks for. The move turns on 9 required skills not yet in the profile.

From video and motion picture director
28%
Overlap1
To assistant video and motion picture director
9 Skills carried over
9 Required, not held
65.6 Difficulty2
adjacent 0–30
moderate 30–55
substantial 55–75
career change 75–100
this move, 65.6

This move: 65.6 of 100 · substantial

1 Share of the assistant video and motion picture director role’s weighted skill requirement already met by the video and motion picture director profile. Required skills count in full, supplementary skills at 0.35. Directional: the figure for the reverse move differs. 2 Combines what is missing with how specialised it is, so a gap of general skills scores easier than the same number of narrow ones.

Table 2

Table 2 · What you already bring

Of the 9 skills that carry over, these are the ones fewest other occupations ask for. A assistant video and motion picture director role needs them, and most people applying for one will not have them already. This is the part of a video and motion picture director background worth leading with.

Skill the target role also needs Area
  • already held coordinate rehearsals management skills
  • already held attend read-through communication, collaboration and creativity
  • already held liaise with event sponsors communication, collaboration and creativity
  • already held cinematography arts and humanities
  • already held audiovisual equipment arts and humanities
  • already held develop drama production process communication, collaboration and creativity

All 9 carried skills, including the 3 the assistant video and motion picture director role treats as required.

Table 3

Table 3 · What you would need to learn

The 20 missing skills fall into 5 areas of the ESCO skill hierarchy, numbered below in the order worth working in: the areas carrying the most required skills come first, and inside each one the required skills sit above the supplementary ones.

Skill to acquire Tier
01 management skills 5 required, 2 supplementary
  • required, not held develop project schedule required
  • required, not held apply organisational techniques required
  • required, not held coordinate transportation required
  • required, not held handle paperwork required
  • required, not held manage staff required
  • optional, not held fix meetings optional
  • optional, not held recruit personnel optional
02 communication, collaboration and creativity 2 required, 5 supplementary
  • required, not held consult with production director required
  • required, not held collaborate with a technical staff in artistic productions required
  • optional, not held create storyboards optional
  • optional, not held present storyboard optional
  • optional, not held purchase props optional
  • optional, not held liaise with financiers optional
  • optional, not held write work-related reports optional
03 information skills 1 required, 2 supplementary
  • required, not held analyse goal progress required
  • optional, not held search for a suitable filming location optional
  • optional, not held calculate production costs optional
04 assisting and caring 1 required
  • required, not held apply company policies required
05 business, administration and law 2 supplementary
  • optional, not held content marketing strategy optional
  • optional, not held copyright legislation optional
Table 4

Table 4 · Where to start

The 3 entries a assistant video and motion picture director role is least likely to hire without. The ordering is computed from the skill data, not from what pays.

Each entry opens a course search for that skill. Career Overlap earns nothing from these links.

Appendix

Appendix · The rest of the record

All 9 skills that carry over
Skill Type
  • already held coordinate rehearsals skill
  • already held film production process knowledge
  • already held manage budgets skill
  • already held attend read-through skill
  • already held audiovisual equipment knowledge
  • already held cinematography knowledge
  • already held develop drama production process skill
  • already held ensure visual quality of the set skill
  • already held liaise with event sponsors skill
11 supplementary skills, helpful but not required
Skill to acquire Tier
  • optional, not held create storyboards optional
  • optional, not held present storyboard optional
  • optional, not held purchase props optional
  • optional, not held search for a suitable filming location optional
  • optional, not held calculate production costs optional
  • optional, not held content marketing strategy optional
  • optional, not held copyright legislation optional
  • optional, not held fix meetings optional
  • optional, not held liaise with financiers optional
  • optional, not held recruit personnel optional
  • optional, not held write work-related reports optional
35 held skills the assistant video and motion picture director role does not ask for
Skill Type
  • not needed by the target role adapt a script skill
  • not needed by the target role adapt designers’ work to the performance venue skill
  • not needed by the target role adapt to type of media skill
  • not needed by the target role analyse a script skill
  • not needed by the target role assess production needs to plan a production schedule skill
  • not needed by the target role attend rehearsals skill
  • not needed by the target role carry out auditions skill
  • not needed by the target role create production schedules skill
  • not needed by the target role create rough cut skill
  • not needed by the target role design lighting skill
  • not needed by the target role develop creative ideas skill
  • not needed by the target role edit digital moving images skill
  • not needed by the target role edit recorded sound skill
  • not needed by the target role finish project within budget skill
  • not needed by the target role follow work schedule skill
  • not needed by the target role help set rehearsal schedule skill
  • not needed by the target role hire human resources skill
  • not needed by the target role lead cast and crew skill
  • not needed by the target role lighting techniques knowledge
  • not needed by the target role operate a camera skill
  • not needed by the target role organise rehearsals skill
  • not needed by the target role perform video editing skill
  • not needed by the target role photography knowledge
  • not needed by the target role set up cameras skill
  • not needed by the target role study media sources skill
  • not needed by the target role study relationships between characters skill
  • not needed by the target role supervise camera crew skill
  • not needed by the target role supervise script preparation skill
  • not needed by the target role supervise sound production skill
  • not needed by the target role tell a story skill
  • not needed by the target role watch scenes skill
  • not needed by the target role work with motion picture editing team skill
  • not needed by the target role work with playwrights skill
  • not needed by the target role work with pre-production team skill
  • not needed by the target role work with the director of photography skill
2 gaps that are knowledge rather than practice

Knowledge gaps usually close through study. Practical skill gaps usually need something you can point at.

Skill to acquire Tier
  • optional, not held content marketing strategy optional
  • optional, not held copyright legislation optional
Index
Note

How this record was compiled

Both occupations are taken from ESCO, which lists the skills and knowledge each occupation is expected to have and marks every one required or optional. Nothing here is a prediction about hiring, and nothing here knows that a particular employer wants a particular certificate. Treat Table 3 as a starting point for your own research rather than a syllabus. The full method states what these figures can and cannot tell you.